mercoledì 29 agosto 2018

Nothing good on TV tonight?

On July 22 I took part in the Kubrick symposium event at the Deutsches Filmmuseum in Frankfurt, a series of lectures organized during the official 2001: A Space Odyssey 50th anniversary exhibition, with a presentation titled 'I am certain it will all come out right in the end': The Kubrick-Clarke collaboration on “2001: A Space Odyssey” and beyond.

Enjoy! All the other videos of the symposium are available here.

(By the way, as the presentation does not feature slides for copyright reasons, you might find interesting to check the original paper I based the presentation on)

lunedì 16 luglio 2018

“Dear Arthur, what do you think?” The Kubrick-Clarke collaboration on '2001' (and beyond)

Why Stanley Kubrick chose to work with Arthur C. Clarke on 2001: A Space Odyssey?
How did they collaborate on the creation of the 'paranoid' Hal 9000?
To what extent was Kubrick involved in writing the book that came out in May 1968?
Why was their next collaboration - the development of Brian Aldiss' Supertoys last all summer long in 1992 - not as succesful as the first? 

Read about it in my essay “Dear Arthur, what do you think?” The Kubrick-Clarke collaboration in their correspondence from the Smithsonian and London Archives, just published in the latest issue of Essais, the scientific journal of the Université Bordeaux Montaigne (along with others very interesting works from Filippo Ulivieri, Rod Munday, Matthew Melia, Vincent Jaunas, Dijana Metlic, Manka Perko, Loig Le Bihan, etc.).

lunedì 7 maggio 2018

Understanding Kubrick's 2001: A Space Odyssey

The book Understanding Kubrick's 2001: A Space Odyssey - Representation and Interpretation (edited by James Fenwick and published by Intellect Books) for which I wrote the first chapter, is finally out next week! Here it is, featured in the last essay of Sight And Sound magazine.

In my chapter, titled "God, it’ll be hard topping the H-bomb": Kubrick’s search for a new obsession in the path from 'Dr. Strangelove' to '2001' I used both textual analysis and archival evidence to explore the genesis of the movie, and the search of what Stanley Kubrick called "his new obsession" after the release of Dr. Strangelove - or: How I Learned to Stop Worrying and Love the Bomb in January 1964. By analyzing three lesser-known projects the director was associated with before his involvement with Arthur C. Clarke, I documented the methods behind the sometimes-uneasy development of a new Kubrick project, and the various science-fiction ideas that were muted along the way to the eventual creation of 2001

I've read all the other chapters and they are extremely interesting; drawing inspiration from the introduction, they "offer new and interpretative approaches that examine aesthetics, performance, technological design, philosophical discourse, genre and authorial agency in 2001. Each chapter is linked by the exploration of Kubrick’s intellectual concerns as an auteur and the historicism and aesthetic representation of 2001, with the ultimate aim of bringing together a range of new scholarly perspectives from the full spectrum of Kubrick Studies. [...] Taken together, this volume represents a wide-ranging examination from a number of standpoints about one of the most important and influential films in cinema history".

Preorder the book now, at a special price, from Amazon UK.

UPDATE 15/5: Sadly, the release has been postponed to June 12.

venerdì 4 maggio 2018

In edicola su "Il Giornale": Kubrick, Clarke e 2001

Stamani, in edicola su Il Giornale (e online qui), un articolo scritto a quattro mani dal sottoscritto e Filippo Ulivieri sulla relazione – spesso idilliaca, a volte burrascosa – tra Kubrick e Clarke durante la realizzazione di 2001: Odissea nello Spazio. Attingendo dal carteggio inedito conservato allo Smithsonian Institution di Washington, io e Filippo abbiamo raccontato lo sviluppo della sceneggiatura del film e soprattutto l'estenuante tira e molla tra Kubrick e Clarke per la pubblicazione del romanzo collegato al film, una saga parallela che rivela la personalità dei due artisti. Buona lettura!

lunedì 2 aprile 2018

Fifty years ago, today

April 2, 1968: '2001: A Space Odyssey' is revealed to the world at the Uptown Theatre in Washington D.C.

Fifty years later, the title of the first review in the Washington Post is still the best description for the movie.